I eventually scrapped the ridiculousness and went back to working in Pro Tools almost exclusively. I had been swayed by the opinion of others instead of focusing on getting results. It became a convoluted process that actually served no real purpose. So, stupid Stephen began to experiment and settled on writing all his music in Ableton Live and then mixing in Pro Tools. It seemed to be a never-ending debate but I wanted to figure out the secret to unlocking the power of all of these DAWs in some sort of magical combination. Then others would chime in and say Ableton Live was the way forward. I was easily swayed by people on forums who would go on and on about how MIDI sucks in Pro Tools and how Logic is the only program to use when it comes to composing music. #PRO TRACKS PLUS DOWNLOAD GNX4 FULL#I soon felt the power and freedom of limitation in full flow! By having less to work with, I had to focus more on my skills rather than the technology to get the job done.Īs my career developed and I became immersed in sound design, music production and audio post production, my fascination with DAWs expanded and eventually became a monster! Then, when I landed my first professional full time audio job, I was relegated to Apple’s Soundtrack Pro. We didn’t have access to Pro Tools in the main recording studio, so we used a combination of ADAT and Sony Soundforge in that space.Įventually, I began using Pro Tools during the final year of my undergraduate degree and throughout my masters degree. #PRO TRACKS PLUS DOWNLOAD GNX4 HOW TO#Throughout my course, we were encouraged to make electroacoustic music and I learned how to use Audacity for that purpose. One of those pieces of software was Audacity. The MIDI sequencing and multitrack recording worlds were starting to combine! While it was an interesting learning tool, I had no access to the DAW outside of the university campus, so I was still using other free and low cost pieces of software for most of my work. In school, we learned how to use Cakewalk Pro Audio and how to sequence MIDI. Cool Edit Pro helped me with those goals. But at that time, I was learning how to play guitar and the purpose of using Cool Edit Pro was to record myself playing, track my progress and work on song ideas. When it came to using that piece of software properly, I was pretty useless. My first DAW was Cool Edit Pro before it was bought by Adobe. I love it as my DAW of choice and it would take a lot for me to change. It doesn’t matter what DAW (Digital Audio Workstation) you use as long as you enjoy using it and it compliments your method and workflow. Should I use Pro Tools or Logic? Live or Reaper? How about Studio One? You know what… maybe I’ll use Audition… what do you think?
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